By Cassandra Rose Clarke
Esme Coromina has always known that one day, she would run the Four Sisters, the small planet system that her father grew into a corporate empire. Raised as the pampered heir to the company, Esme lived the best years of her life at Star’s End, the estate her father built on the terraformed moon where he began his empire. In the tropical sunlight and lush gardens, Esme helped raise her three motherless half-sisters. But as Esme is groomed to take over the family business of manufacturing weapons for the mercenary groups spread across the galaxy, she slowly uncovers the sinister truth at the heart of her father’s company. And when those secrets are finally revealed, Esme is sure that she’s lost her sisters—and a part of her soul—for good.
Now, after a lifetime of following her father’s orders, Esme has a second chance. For the first time, Esme is making her own decisions and the impact of her decisions will reverberate throughout the Four Sisters. As Esme struggles to assemble her estranged sisters for one last good-bye with their dying father, she has to choose whether she wants to follow in her father’s footsteps—or blaze a daring new path.
It took me awhile to finish this book. The world building is stunning and it’s well written, with an interesting narration choice. There aren’t chapters, but the book alternates between a third person limited present storyline, following Esme’s current mission to find her sisters and a first person past storyline following Esme throughout her young adult years. The past portion on the book really dragged for me, I was much more interested in what present day Esme was up to than her growing up in Star’s End. Despite the back cover synopsis, the only way Esme helps to raise her sisters is telling the fleet of nannies and tutors to keep an eye on them while she’s off doing her company internship.
I could not find it in me to care about Esme. The Coromina family owns four planets. They literally make trillions of dollars a year manufacturing bioengineered soldiers and weapons to equip those soldiers. The ‘company’ is a government system called coporcracy and Esme’s father is the current ruler/CEO. People who live on the four planets are called citizen-employees. This is capitalism at full throttle. Everyone and everything on the four planets exists solely to fuel the weapons manufacture and to add to the upper echelon’s wealth. There’s a hefty dose of Big Brother as well, of course. Media is strictly monitored, business espionage is the norm, and the CEO often has troublesome people ‘relocated’.
So there’s a lot going on and in the middle of it is Esme and I wouldn’t say I hated her, but I disliked her immensely. She’s a coward and despite what the ending tries to spin, she is just like her father in terms of power ambition. She only on two occasions finds her spine and stands up to her father, but those moments are quickly over and she goes back to doing everything her father asks.
Her father is Exhibit A for sociopath. He doesn’t care about anything but his wealth and status. There are a few moments in there where Esme thinks she sees something else in him, but I chalk that up to an unreliable narrator ploy. The dude is an AssHole.
This book is 432 pages of things happening to Esme. She’s never proactive and most of the book is her waiting to be summoned or waiting for the other shoe to drop. She spends a lot of time slumping against chairs, sitting on beds, headaches from too many thoughts, and sleepless nights. The only reason this story exists is because her father sets her out to collect her estranged sisters. She wasn’t going to do it on her own.
She also spends the entirety of the book afraid. Honestly, her entire narration is dictated by fear. Fear of her father, fear she’s becoming like her father, fear for her sisters, fear of her sisters, fear for her mother, fear she’s going to do/say the wrong thing. The list goes on and it never ends. I can’t tell if Esme is supposed to be a sympathetic character or an unlikeable character. All those fears would make sense if this was a YA, but Esme is in her forties. At this point it’s Learned Helplessness and I have no time or sympathy for it. She has the emotional depth and fortitude of a wet tissue.
The characters of this book never fully come to life Esme, with all her cowering, is the most well rounded of them all. Her sisters are plot devices on Esme’s convoluted journey to redemption, her closest friend, a bioengineered soldier named Will, is another plot device whose only purpose is to help her find her sisters. Her father is the evils of capitalism personified. It gets tedious, especially since Esme does little more than fret about everything.
The ending of the book, I think, is supposed to have an A Tree Grows in Brooklyn vibe; not happy, but hopeful, but it falls a little flat. Esme may not have her father’s cruelty, but she still wants the power being CEO/ruler affords her. She promises to only use her powers for good and she’s going to help people and blah, blah, blah. But the whole thing reads like those ridiculous accounts of ‘good’ slave owners. Yeah, so some of them didn’t flay children, but they still had slaves. Yeah, Esme wants to change the company’s focus, but she’s still keeping a system in place that has proven to be easily corrupted, abused, and refers to its citizens as employees and property.
I can’t say I’d recommend Star’s End. As a dystopic system of government, it’s awesome, but the main character, Esme, has little to enjoy and can make getting through some places a chore. But if you’d like to give it a try, you can find it here:
Learn more about the author Cassandra Rose Clarke