Adventures Abroad: Athens, Greece

This blog has been a bit of a downer lately. With Halloween a month away–eep!—I thought we could all use a good snicker.

In the spring of 2009 I did a semester abroad in London, England. While I have so many amazing memories and wonderful experiences and a lasting love for Europe there is one trip in particular that always comes to mind when people ask about those three months.

Spring Break. I and one of my flat mates are going to Athens, Greece and Rome, Italy for three and four days respectively. That morning, we’re up earlier than usual and bustling around doing final checks on passports and cash and itineraries. Running only a few minutes late, the infamous tube system was in full jack-up-you-plans swing that day and those ten minutes turned into almost half an hour.

We missed our flight check-in.

By five minutes.

Thankfully, the wonderful woman working the ticket desk managed to transfer us to a red eye flight to Athens at no charge. So we had eight hours to piddle around the airport before our flight was scheduled to leave at eight-thirty that night.

Have you ever had the experience of sitting in an airport for more than an hour or two? I can still feel the boredom making my eyes roll back.

Anyway, our red eye had ten passengers on it and once we were at cruising altitude we were allowed to move to different seats.

A window seat while descending towards Athens, Greece at midnight isn’t something I will ever forget. Cities look like cities no matter where you go. Tall buildings of steel and concrete, streetlights, power lines, cars; but then you see the Acropolis. This huge hill with landscape lights just bright enough you have to squint your eyes and do a double take before thinking, “Holy shit, there it is.” It’s kind of like seeing the Eiffel Tower when you take the chunnel to Paris.

Now, things to know about Greece that we didn’t think of when we booked our trip; A) There are grad students with more money than the Greek government, and B) Because they are broke as hell people have been going on strikes and walk outs demanding better wages.

After a long day of sitting in an airport, we get to Athens and find out their public transportation closes down at midnight—it’s now one—and their taxi cab drivers are on strike. Our hostel is on the other side of Athens, a quick twenty minute ride on the subway, but not something either of us wants to navigate at one in the morning in a country we’ve never been to.

After some debating, we opt to get a hotel for the night. Yet another wonderful woman gave us some options ranging from the $300 a night Hilton across the street to a small $80 hotel that would pick us up and then bring us back to the airport in the morning so we could hop the train to our hostel.

Half an hour later, an older gentleman, maybe mid-forties, finds us playing checkers with change and asks if we’re the ones going to the hotel. He smiles a lot and his accent is heavy but he speaks English well enough we strike up a conversation on why we’re in Athens.

I want to take a moment to tell you, if you ever go to a foreign country the odds of you doing things you couldn’t be coerced into doing in the states goes up dramatically.

Walking out of the airport with the man excitedly telling us how much we’re going to love Athens, I did pause when I saw the beat-to-hell, rusted out, tinted window van but that was about it.

Tossing our bags in the back we got in and set off on Mr. Toad’s Wild Ride. As friends and family can attest, I’m a road raging speed demon but this man was a master of his craft. I don’t know if the brakes were broken or if he didn’t know where they were. All the while he’s still chatting away almost as fast as he was driving telling us about his son who was planning to do a study abroad program in New York City in a year or two. My traveling buddy carried the conversation while I watched the dark landscape pass. We were heading out of town, away from the Acropolis, and the street lights were becoming fewer and farther apart.

I don’t know how we got there, but one moment we were on a highway and the next we were on a Hollywood set. I don’t know what to call it. A suburb? It wasn’t a town, there was a cluster four and five story apartment buildings that looked like they had been crafted from the dusty earth itself. There were no discernible streets, no cars parked. Black windows stared back at us with a few with gauzy curtains blowing gently in the wind. It was a clear night and without any streetlights we could have gone through a time warp to five hundred years ago and I don’t think we would have known.

I’ve been keeping track of turns and direction of travel because I’m a little paranoid like that. But now we’re in this…suburb or complex, whatever, the driver starts turning down all these narrow alleys and now I can’t remember if we’ve taken two lefts and three rights or if we’ve gone in a circle. My friend is also starting to slow down on her answers to the man’s animated conversation as the van whips around corners and down alleys I didn’t think a bicycle could fit through. If the driver noticed our quiet he didn’t let on. I think he was telling us about his sister or his niece or cousin that visited America in the eighties.

From out of nowhere he makes a turn and suddenly we’re not on a road anymore. The buildings are gone and we are in the middle of a field.

An open, grassy field circled by trees probably as old as the continent.

There’s a full moon out and it’s the only light we have as we bounce through this field in the middle of nowhere in a strange country.

It was like a movie scene. My friend and I looked at each other with matching expressions of open mouthed horror and incredulity. The driver is still motoring away, telling us about the different foods we have to try, which, honestly, I wish I could remember what he told us so we could have tried it all.

But I digress

Here we are, bouncing through a field, not a soul in sight, I’m primed and ready to go over the seat and put him in a choke hold if I even think the van is starting to slow and just like that, we’re out of the field. Now we are in a suburb of sorts; the houses have driveways with cars in them, there are fences, and a few streetlights, and the beat to hell van pulls up in front of the hotel; a converted two story house with a well lit sign out front and two cars in the driveway. The driver booked us and put us in a small room with a two locks on the door, we used a chair as well, and told us with a sunny smile breakfast would be served at nine.

I went to three different countries by myself, wandered the streets of London at night and to this day that moment when we hit that field can still get my adrenaline going. Athens was an amazing experience all around and I will certainly never forget that city or our crazy driver.

Welcome, to the 21st Century

Dear Supervisor,

In the short time I’ve worked with you it’s become apparent that you don’t often work with women. To help you navigate these confusing, dark, and perilous waters I thought I’d lend you a sexton or at the very least a flashlight so you can see the deck of the ship.

“I don’t have a problem with females on my crew”

I realize you want this to be a comfortable work environment. And I appreciate the thought. But when you continually reiterate that I am different, other, and foreign to this work environment you’re not making it homey. I’ve worked everything from construction to restaurant kitchens; I know how to function in a mostly male workplace. Quite frankly, I get along just fine with my male coworkers. I don’t need your gung ho reassurance that having a woman in your midst isn’t a problem. Ican handle myself.

Tough as Nails

If you need to talk to me, just say it. You don’t have to come up with a goofy grin to soften the blow. If I’m doing something wrong or could be doing it better, just say it. I promise not to burst into tears.
Not a Lightweight

Yes, I realize I’m not going to be winning any weightlifting competitions. But I’m still perfectly capable of lifting boxes over my head and stacking them as needed. If I need help, I’ll ask for it.

Smile

No. If for whatever reason, I don’t walk through those doors with a sunny Dallas cheerleader smile on my face, do not tell me to smile. Don’t tell me to “perk up” don’t call me “grumpy” or “grouchy” or “cranky”. You don’t say it to the guys when they walk in half asleep or staring at their feet, don’t think you’ll treat me any different.

You’re not my Therapist

On those days when I come in maybe quieter than usual or a bit distracted I don’t care that you ask if everything is all right. But if I tell you I’m fine you need to respect that answer. Either it’s true and I’m just tired or it’s none of your business. You are not my shoulder to cry on.

Quiet Time

A few days a month you might notice a change in me. Maybe I’m quieter, my sentences shorter, maybe I’m less willing to talk. I might seem a bit lethargic. It happens. The process of my body demolishing and remodeling itself is tiring and, at times, more painful than you can imagine. If I seem morose, I’m sorry. But it hurts, and I’m doing my best not to snap and just get through my shift. Just leave me be.

I know this is a lot to take in, but I hope, with enough time, you can figure this out and we can get on with our lives.

Avenged Sevenfold’s “Hail To The King” Debuts At No. 1 On Billboard 200.

Hail to the King!
Kneel to the crown!

Deathbat News's avatarDeathbat News

Avenged Sevenfold’s “Hail To The King” has debuted at No. 1 on the Billboard 200 albums chart with 159,000 copies sold. This marks the second No. 1 debut for the band and the largest week for a hard rock album in more than a year.

Congratulations to M Shadows, Zacky Vengeance, Johnny Christ, Synyster Gates and Arin Ilejay on the accomplishment and for making such an incredible album. Thank you to Avenged Sevenfold’s teams at Warner Bros. Records and World Audience for making the release of “Hail To The King” exciting and fun and THE FANS – The band deserved this and you made it happen. This is the start of an amazing era. With that said, today is a day celebrate. Avenged Sevenfold has officially taken their seat on the throne. Hail to the Kings!

Here are some notable international chart debuts:
#1 in the UK
#1…

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What Happens in Muncie, IN…

Hello citizens!

Man, has it been a rough month for anyone else? Camp NaNoWriMo just wrapped up and Goddess above, I have never had to fight for a word count like I did last month. I made it, barely, but I’ll recap that later once I catch my breath.

The really exciting thing that happened in July was just last weekend. The all mighty Midwest Writers Workshop was last weekend and it was Glorious. I’m not the first to blog about it, I’m usually two steps behind in this. So, to see a play by play of what all went down over the weekend check out Mo’s Media Minute and subscribe. She’s really a much better blogger than me and has one hell of a life story. You should pester her to get her memoir written. Get on that. Another great recount of MWW13 comes from the always fabulously fizzy Fizzygrrl. Follow her too, because you just can’t have enough exuberant swearing in your life.

What I’m saying, is there are a lot of great bloggers who have already covered this.

My favorite session came from Colleen Coble – Award Winning Author of Tidewater Inn where we discussed the layers of a story. We turned the class into a think tank and for an hour helped those brave souls willing to tell the 20+ people in the room about their book add depth to their characters, their settings, and plot line. And no, I was not one of those brave souls.

While the faculty was amazing and informative, Author Hank Phillippi Ryan had a wonderfully inspiring closing speech, my highlight happened to come from a fellow attendee. I’m very shy, socially awkward, and woefully lacking in confidence. I’ve been told that I often come across as aloof, cold, and angry because I don’t talk to people and am hesitant to initiate conversation. It’s agonizing because I really would like to talk to you, I just don’t know how to do it. I’m in awe of people like Fizzygrrl who can just burst into a room like the Kool-Aid man and make friends. It’s like a superpower. So when an attendee stopped to tell me I would make an incredible protagonist because of my style and confidence I almost fell over.

Me?

Me?

Madam, I am a fraud. I’m selling snake oil, cheap health insurance, a bridge in New York, and ocean front property in Nebraska. You must have me confused for someone else. The coffee must have been laced with LSD.

I can’t remember what I said. I’m certain I stumbled through some kind of thank you because I’m Midwest Polite right down to my chromosomes, but holy hell. Me?

It’s just one more story from MWW. I swear, for three days in July Muncie, IN turns into Vegas. Anything can happen.

But you can talk about it later.

An Issue of Entitlement

It’s not often online comments get my dander up. But one thing certain to bring out the Keyboard Warrior in me is an insult to a band I like. Especially if said insult is from a “fan”.

“It’s ironic how most other bands signed?! lol Do they “think” they are too good to sign & meet people?! My daughter was the first person in line for the wristbands, and then heard they weren’t signing that day was a big disappointment! Shame on bvb!”

I went to Warped Tour, the Indianapolis date, and on that day Black Veil Brides didn’t have a signing. They’ve been doing signings almost every day of the tour so I, with my friend, had a moment of disappointment. Just as quickly though, we were over it. I didn’t think any more of it during the twelve hour festival and had a great time scouring the venue for new music and hanging out with my friend.

Two days ago, Black Veil Brides posted a picture on Instagram advertising the signing they were doing for the Buffalo, NY (I believe) date. What brought me up short, of course, were the comments. 50+ comments of, “You better do a signing at_____.”

What is this?

The first band I was heavily into was Linkin Park. I saw them four or five times and never met them. I transitioned from Linkin Park almost straight into Avenged Sevenfold. Now, Avenged Sevenfold are my Ride or Die. If they announce tomorrow that they’re going to invade Canada, I will be there. I’ve seen them a dozen times; I’ve driven across the country to see them.

I’ve never met them.

I’ve never gotten a pick or a drum stick or a towel or a water bottle. Nothing. Nada. Zilch.

But I’ve never left a concert disappointed that I didn’t get face time with them. I’ve never been indignant that they didn’t do a meet n’ greet or a signing or anything else. They’re musicians. You bought the ticket to see the show, not to shake their hands. Side note: I have given Synyster Gates a high five while he was on stage.

But I digress.

Black Veil Brides do a lot of signings, they go above and beyond to meet their fans and interact with them. But that doesn’t give you the right to be angry, to accuse them of being arrogant, because they didn’t do a signing at your tour stop. They don’t have to do any signings. They choose to and should their schedule conflict with doing a signing or something comes up and they can’t do it, get over it. The only thing they are obligated to give you is a show, everything else is bonus material.

The Struggle Within

It being a mere two days from the start of this year’s second CampNaNoWriMo I thought I would shamelessly advertise that as well as work through some issues I’ve been having getting ready for July.

Recently, like a week ago, I finished the first draft of Rebel Love Song.

Now, when I finished Tiger, Tiger I didn’t have any problem taking a deep breath and setting it aside for a month and a half while I did other things. Rebel Love Song has proven to be a different kind of beast. I can’t get it out of my head. It’s the first thing I think about when I wake up and the last thing when I go to bed. I have entrenched my heart and psyche into that manuscript and as I try to pull back to give it some breathing room before starting revisions it just won’t let go.

Like that thing in Alien that clamps onto that guy’s face.

And here I sit, trying to prepare myself for another writing marathon for the month of July and I just can’t get my head into the game. Any other time, I would just surrender to the urge and knock out revisions on RLS, but here’s the thing; RLS is only the first book in what is going to be at least a seven book series. Did I mention it’s a dystopia? Yeah, talk about bad timing with that idea. And while I very much want to continue working on RLS and the next books, they need to be simmering on the back burner. They will be written, if for nothing more than I want to read them, but they can’t consume my existence right now.

So July is dedicated to The Charlatans (Title of a great song by Dakrya, highly recommend it) and my newest imaginary friend, Jace. Jace seems to be as annoyed with me as I am him. I’m hoping we can reach a truce in the next two days so we can get through Camp NaNo with as little bloodshed as possible.

Sound of Madness: Demons, They Follow Me

A song popped up on my shuffle the other day. I haven’t listened to it in months, not since I got it. I follow a lot of music-lover accounts on Twitter and they often tweet about how certain songs can take you back to a place in time. When those tweets come up, though, they’re usually referencing something pleasant.

For me, a lot of songs bring back memories of concerts or long drives to new places. I have certain albums I listen to if I’m city driving or highway driving. This song that came up, though, I don’t like to think about this song. Until Itunes spit it out, I had actually forgotten I had it.

I bought it in January while I was at my dad’s for the weekend. My sister and her girlfriend had moved back in with him. There wasn’t anywhere I could go to be by myself for any length of time. Mom was at her house, my sister and her girl were at dad’s, and I was feeling crushed. I’m not a gregarious person. I like being alone, prefer it even; concerts are about the only time I’m okay being with people. My job was killing me slowly, I hated my co-workers, I hated the repetitive tasks, I was—and still am—tired of living at home.

You know that scene in 300 where the Spartans line up with their shields and spears and literally push the Persians off the cliff? That’s what it felt like. Everything was pushing in on me, pressing me back.

So I had a bad day at work and I went to my dad’s where my sister tweeted about my foul mood. Angry, depressed, and at a complete loss of what to do with my life, I lashed back. Her final tweet was something along the lines of “You don’t have to be here.” And it was like a dark revelation.

No. I don’t have to be here. I don’t have to deal with this shitty job or these student loans or not having a place of my own. I don’t have to be here. I can leave. I can leave forever.

I sat on my bed, not scared at all. It was more akin to relief; like I had finally been given permission to leave the field. It would only hurt for a few seconds, probably burn. Severing the jugular and the carotid I would be dead in less than three minutes. The skin on your neck is so thin, it would be easy. And fast. My sister was downstairs watching TV wanting nothing to do with me. I had my stereo on. My dad wouldn’t be home for another two or three hours. They couldn’t save me. They wouldn’t have a prayer of saving me.

I don’t remember getting on Facebook or why I even thought to log on but someone I had friended during Black Veil Brides’ Legion of the Black viewing posted the lyrics.

 

Well I know the feeling,

of finding yourself stuck out on the ledge.

And there ain’t no healing

from cutting yourself with a jagged edge.

I’m telling you that it’s never that bad.

Take it from someone who’s been where you’re at.

Laid out on the floor

And you’re not sure you can take it anymore.

 

 

So just give it one more try, to a lullaby.

And turn this up on the radio.

If you can hear me now,

I’m reaching out

to let you know you’re not alone.

And if you can’t tell, I’m scared as hell

‘cause I can’t get you on the telephone.

So just close your eyes.

Oh, honey, here comes a lullaby.

Your very own lullaby

 

 

Please let me take you

out of the darkness and into the light.

‘Cause I have faith in you,

that you’re gonna make it through another night.

Stop thinking about

the easy way out.

There’s no need to go and blow the candle out.

Because you’re not done,

you’re far too young

and the best is yet to come.

 

 

So just give it one more try, to a lullaby.

And turn this up on the radio.

If you can hear me now,

I’m reaching out

to let you know you’re not alone.

And if you can’t tell, I’m scared as hell

‘cause I can’t get you on the telephone.

So just close your eyes.

Oh, honey, here comes a lullaby.

Your very own lullaby.

 

 

Well everybody’s hit the bottom.

Everybody’s been forgotten.

When everybody’s tired of being alone,

yeah, everybody’s been abandoned.

And left a little empty handed.

So if you’re out there barely hanging on…

 

 

Just give it one more try to a lullaby

and turn this up on the radio.

If you can hear me now,

I’m reaching out

to let you know you’re not alone.

And if you can’t tell, I’m scared as hell

‘cause I can’t get you on the telephone.

So just close your eyes.

Oh, honey, here comes a lullaby.

Your very own lullaby.

Oh, honey, here comes a lullaby.

Your very own lullaby.

(Nickelback, Lullaby)

 

I have no idea why she posted those words. She’s not a prolific updater and when she does it’s only a sentence or two. And I was mad. Finally, I had found a way out and then she had to post this song and suddenly the door was closed again. Music was right there to drag me back when I was ready to go. I was angry and completely broken. So I bought the song and sat on my bed screaming and crying until my dad got home.

I haven’t listened to this song since that day. Four months later, and I can still remember those thoughts of how little it would hurt. How easy it would be. But, as I switch to youtube and devour the new Black Veil Brides’ song Revelation the melancholy is eroded by excitement. June 11th is hardly two weeks away. Warped Tour is a bare month away. There will be better memories.

The Sound of Madness: We All Fall Down

“Everybody feels these moments of sadness and moments of loss. And sometimes I think everybody can relate to sitting alone and feeling like crap and a friend of yours comes up and starts, you know, “Come on, feel happy!” And you don’t want that. Sometimes it’s all right to let yourself live in a moment and let yourself be upset about something and so that you can show yourself that, regardless of how low you feel, you can always rise out of it; but not at that moment. And so the song ends with the lyric I believe we all fall down but I don’t say, “But we get back up.” It’s just, sometimes you fall down and sometimes you feel low, and that’s okay.” ~ Andy Biersack, (Video)

I was one of many who saw Black Veil Brides’ Legion of the Black back in January and I knew as soon as this song started it was going to be one of my favorites. It was back in January that the only thing I was looking forward to in my life was the release of Wretched and Divine: The Story of the Wild Ones album and the concert in Cleveland on the 22nd. My first manuscript, Tiger, Tiger was sitting untouched on my hard drive, I hadn’t read anything in weeks—which as a self-professed bibliophile is unheard of—and I was having a hard time even getting up in the morning.

Then, in March, I quit my job. And I was happy for a couple weeks. I finished Tiger, Tiger and started getting serious about querying and started writing again and started looking for a part time job I would be happier doing. The rainbows and sunshine didn’t last long. I hadn’t really intended to quit my job until the first weekend in May and didn’t have the money saved up that I needed/wanted.

Be absolutely honest, my mindset the last two weeks has been no better than it was when I was slogging my way through a dead end job I hated. I’m angry, I’m depressed, my moods are in flux. I wake up in the morning and I want to scratch my skin off and start somewhere new. I need a job and I know I can get hired on in a restaurant no problem. But I don’t want to go back to something that pushed me so close to the abyss of No Return I almost fell in. But if nothing else pans out here in the next two weeks I’ll have to go back to the thing that almost killed me.

            “Lost it All” gets me on a damn near spiritual level.

I ruled the world. With these hands I shook the heavens to the ground.

I laid the gods to rest. I held the key to the kingdom, lions guarding castle walls.

Hail the king, of death.

 

Then I lost it all.

I’m dead and broken.

My back’s against the wall. Cut me open.

I’m just trying to breathe, just trying to figure it out.

Because I built these walls just to watch them crumbling down.

I said then I Lost it All.

And who can save me now?

 

I stood above

another war, another jewel upon the crown.

I was the fear of men.

But I was blind, I couldn’t see the world there right in front of me.

But now…I can.

 

‘Cause I Lost it All

Dead and broken.

My back’s against the wall.

Cut me open.

I’m just trying to breathe, just trying to figure it out.

Because I built these walls to watch them crumbling down.

I said then I Lost it All

and who can save me now?

 

I believe that we all fall down, sometimes.

Can’t you see that we all fall down?

I believe that we all fall down sometimes.

 

            Here’s a Link to the song.

This is the song that sits with me when I feel overwhelmed by everything and when it all seems out of reach. This song tells me to take a breath, stop scrambling, stop panicking. Just breathe. This song is my safe place.

It’s also the song my character in Rebel Love Song is modeled after. She falls a little more every day. Without the plucky “but we’ll try it again tomorrow” sentiment at the end of the song it leaves her open for a gauntlet of decisions. She’s low, slipping deeper inside herself, and there’s the question of whether or not she’s going to give this song a hopeful ending or if she’s going to lose herself. Who can save me now?

Adventures of Aria: Culture Shock

            I recently read an absolutely amazing YA supernatural book by Jennifer Lynn Barnes called Raised by Wolves. It’s on the younger end of the YA spectrum—the main character Bryn is fifteen—but she was complex, witty, and smart. I finished this four hundred page book in only a couple hours. I couldn’t put it down long enough to even get coffee. I was completely absorbed in Bryn’s struggle, both emotional and circumstantial. I cried and laughed and cheered at the end. In other words, read this book.

            A few hours later—after coffee, shower, food, etc—I picked up an anthology of YA short stories centered on the theme of “warriors”. I picked up this particular anthology from the library to see how my character Aria stacks up against other “warrior” types. I got three pages in and I haven’t picked it up since.

            So soon after reading Ms. Barnes’ book I couldn’t get into the flat character of the first story. I can’t even remember his name. He was so…simple. His thoughts are shallow “warrior” thoughts about fame and glory and marrying a beautiful girl in the noble class. As a prolific reader of fiction, this is so genre standard it was boring to the point of anger.

            The thing that really pricked me about this is that it is genre standard. Every book I’ve ever picked up that involves a tribal or non-Caucasian culture has this flat character. The sentences and vocabulary is simple, short and they lack variety. It’s almost like these characters are written for grade school children not teens or even adults. The catch is, once these simple characters come into contact with the dominant, primarily Caucasian, culture they suddenly gain depth and more complex emotions. Suddenly, the syntax is more elegant and the vocabulary elevated.

            My character, Aria, sprang from Inuit/Nordic cultures. She lives in a clan society, but she isn’t simple. Her emotions are complicated when it comes to who and what she is and how she interacts with her clan. If I were to change her setting to the modern world, certainly she would have trouble describing modern technologies, but that wouldn’t make her any less intelligent.

            This sub-conscious ethnocentric assumption needs to stop. So you’ve chosen to write a character with more melatonin than you? That doesn’t mean they are stupid and slow witted children who need a more dominant culture to hold their hand and “educate” them.

Putting the Truth in Fiction

Great questions raised here. Drop by and leave your thoughts.

Mo Smith's avatarMedley of Mo

Can you put too much of your personal life in a work of fiction?

This is the question that is currently hanging over my head. It comes with three problems.

  1. Does the familiar, realistic element of the character/story have a negative impact on the writing?
  2. What happens if someone recognizes him or herself in your work?
  3. Are you giving away too much of your personal life?

 

Aside from journaling, I write fiction. Telling the truth can open the door to a world of problems in your personal life. Personally, that’s not something I want to think about when I’m writing. (Kudos to those of you that do it.) Still, to say that we fiction writers don’t pull from our lives to write our stories would be a lie. The novel I’ve been working on for the last two years developed because of one of my obsessions. From there, it…

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